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First a little background: HBO's new dramatic series, The Leftovers, was created by Tom Perrotta (who wrote the novel The Leftovers upon which this series is based) and Damon Lindelof (of Lost fame among other TV and movie projects). In a nutshell, the series is about the daily goings-on of a modern day world that has been affected by the sudden disappearance of 2% of its population with no apparent conclusions that can be made based on the demographics of those people that have vanished. Having never read Perrotta's novel I am completely in the dark about the story-line here and where these characters and events may take us. Which is a good thing. I was an avid watcher of Lindelof's Lost, but I am glad that in this case The Leftovers is based (however loosely) on pre-existing source material.. so hopefully that means less smoke monster and a more well-defined story arc.

"Pilot" starts us off at a laundromat when the 'event' occurs and we play witness to one mother's perspective as her baby suddenly vanishes from the car seat she had just placed into the back seat of the car. This kind of vicious, rending emotional scene seems to be a theme for this episode, if not for the entire series. I do appreciate how we are introduced to the impact that this inexplicable phenomenon has made upon people not on a chaotic, global scale but in the smallest possible way. In one person's life. And as I mentioned previously, The Leftovers really succeeds in pushing all of the buttons available - squeezing out every last drop of grief, sentiment and sympathy from its characters and viewers alike. Perhaps this is a problem, though, because in order to appreciate the emotional depths to which this show wants to sink we should also tip the other side of the scale and add some lighter colors to the palette. Does this series need a Hurley? Maybe not, but hopefully we're treated to at least a glimmer of hope in the next few episodes!

Justin Theroux excels in his role as Kevin Garvey, the police chief in Mapleton, who seems to be in a great deal of emotional distress. If the events of the series premiere are any indication, the whole series will likely gravitate in some way around his family. Kevin currently lives with his daughter, Jil (played by relatively new actress Margaret Qualley), and we learn toward the end of the episode that his wife, Laurie, has at some point in the last 3 years become a member of the organization known as the Guilty Remnant. This cult-like group's members dress in all white clothing, constantly smoke cigarettes and travel around the local neighborhood in same-sex pairs, shadowing certain people that seem especially troubled and had members of their immediate family disappear in the big event that occurred on October 14th three years ago. There is also another organization somewhere nearby Mapleton in a secured compound that centers around someone called Wayne. In this episode, a congressman who has heard of Wayne's restorative or healing powers (or something of the like, we're not quite sure yet) pays a hefty sum of money to be taken to this compound and talk to Wayne. A very enigmatic character, surely a little more information will leak out each episode about Wayne and his abilities and purpose.

Kevin Garvey flashes back at one point to what appears to be an emotional breakdown that he had after the event on October 14th. Throughout "Pilot", Kevin is confronted with a stag: at one point he sees the stag in a row of bushes and then looks back to see that it has disappeared. Soon afterwards he has a strange dream featuring the same animal, and then at the end of the episode we see what appears to be that same stag again being devoured by a pack of wild dogs. At this point the strange character Dean (played by notable character actor Michael Gaston) who Kevin has been chasing after appears and says "These are not our dogs", a line that goes back to a scene at the very beginning of the episode where Dean pulls up and shoots a dog in front of Kevin, who screams "You cannot kill our fucking dogs!" after him as he pulls away in his truck. Is Kevin hallucinating the stag, or is he having a vision much like the one that Wayne from the compound has with his son in it earlier in the episode? These scenes allude to something much more interesting and larger than we can currently imagine. It appears that animals are going to play a large role here as imagery and in fact, the next episode is titled 'Penguin One, Us Zero'. Come on Damon, no penguins please!  

Beautifully directed by Peter Berg, "Pilot" is full of close shots and interesting perspectives that keep us attached to the characters and maintains the tense atmosphere from start to finish. Mapleton, the suburb in which all of this takes place, is written as a microcosm of the world so we can watch events unfold with a smaller perspective - but it also begs the question as to whether or not things like the Guilty Remnant and the compound with Wayne the prophet have a worldwide reach or if they exist only in a few small communities like Mapleton. In any case, this was a great series premiere that looks as though it will lead to a multi-season show with many story arcs. Although a little bleak to start, I'm confident that this show will paint with a larger emotional palette as we move on past the obligatory initial character development and the actors really slip into their character's skins.

After the violent and tension-filled first episode of HBO's The Leftovers set the tone for the season, I certainly didn't expect to get sunshine and rainbows from "Penguin One, Us Zero" and it didn't disappoint in that regard. Show-runner Damon Lindelof's style has always been to feed the viewers bits and pieces of information that don't immediately add up to anything substantial so that the final reveals pack more of a punch when they do arrive and all the pieces make some semblance of sense. This certainly seems to be the case here. We do get some new background information from several main characters and begin to understand slightly more about two groups whose motivations are hard to grasp: the Guilty Remnant and Wayne's Compound. A [dim] light is also beginning to shine on Kevin Garvey's (Justin Theroux) past and present struggles as well as his very sanity.

In the sprawling suburban Guilt Remnant complex, this episode focuses on Meg's (Liv Tyler) initiation into the organization. Kevin Garvey's wife Laurie (Amy Brenneman) has the responsibility of showing Meg the ins and outs and trying to coax her into becoming a member herself. She does this by trying to get Meg to realize that things are out of control for her and that she needs to give up control in order to regain some emotional stability. First, she takes Meg out to the woods with an axe and has her try to chop down a tree. This results in tears and frustration which builds up later to the point of Meg almost wanting to leave and go back to her regular life. Later, Laurie sees that Meg needs to connect to things on a more emotional level and when Meg realizes that although Laurie may still have friends and family on the outside she has surrendered to the Guilty Remnant's way of life, it begins to dawn on her that this may be the only way to bury her intense feelings about the event and how it has affected her life afterward. Later in the episode it's revealed that Meg has left in the middle of the night and Laurie has a look of disappointment on her face. She shouldn't - Meg is out chopping down that tree.. it appears she may be ready to surrender herself and become a part of the Guilty Remnant.

Wayne's compound is raided by the FBI based on statutory rape charges from years ago - it looks like Wayne's weakness is young girls. Surely we'll learn more about this going forward but for now the story may be centered around Tom Garvey (Kevin's son) and Christine (the girl to whom Tom showed affection but looks to be in love with Wayne). After Wayne escapes from the compound raid, he gives Christine over to Tom with instructions to keep her safe and then leaves. It looks like Tom has finally had enough of the path he has been on as he almost called his Dad on the phone and as soon as he and Christine were alone in the car he lets out a blood-curdling scream of desperation and rage just like he had in the compound's pool back in the first episode. Yikes. We'll either see him saved or he will become a force of destruction and misery in this series. Either way the build-up should be a good one as it unfolds.

Kevin Garvey's story gets more interesting by the minute, as it becomes more and more hard to tell for him (and to the viewer) what is real and what is not. Reality itself seems to be playing tricks on him and that is best shown in the scene where the Mayor is having a conversation with him at the police station and the bagels that he had just put into the toaster completely disappear. Fortunately for Kevin, this episode seems to be more about showing that the things he thought could be hallucinations (mostly because of doubt introduced by other characters) are real. Dean, the "mystery man" that we have seen previously, first parks his truck at Kevin's house and then actually shows up at his door. We might think that his is all just more flights of fancy from Kevin's overactive imagination, but Dean actual hands his daughter Jill a 6-pack of beer to take inside and she asks who the man at the door was afterward. Well, looks like he is definitely real.. unless it runs in the family (a real possibility). Kevin later opens up the toaster at the police station and discovers the bagels have fallen behind some sort of mechanism inside. We do meet Kevin's father in a mental institution earlier in the episode and he seems to be a very intelligent and well-spoken man.. at least until symptoms of schizophrenia seem to wander into the conversation. It's obviously going to be a focal point here.. is there something different about the Garveys? Or could it be just a history of mental illness in the family. Does any of this have to do with the reason why Wayne seems to have everyone figured out except for Tom? Surely there is more to the story here.

There is a little more levity here than in the first episode, which I certainly appreciate. We see some teenagers goofing off, bagels disappearing and then reappearing, and blow-up penguins. I think in order for this show to work on a week-to-week basis it needs to continue down this path and separate the seriously murky emotional overtones and physical violence with more penguins and jelly beans. Hats off, Damon - I'm still a little confused about where the Guilty Remnant is going but I will no doubt be tuning in for at least the next few weeks to find out. Also, the next episode appears to center around Christopher Eccleston's character, Matt, who is a preacher that has been handing out flyers suggesting that the people that disappeared were not in any way 'special'. I'm inclined to agree with you, Matt, especially when Gary Busey was among those taken. Although that might depend on your definition of 'special'.

In typical The Leftovers fashion, any answers that we may think we're getting closer to actually just lead to more questions. Now I've been a fan of Damon Lindelof's work since his Lost days so this is mostly expected, but it does seem as though we're getting a constant stream of open-ended story arcs. The Guilty Remnant, Holy Wayne, Kevin Garvey Sr.'s (and now Dean's) mysterious voices, a specific issue of National Geographic, etc all twist and turn in an endless spin cycle of exposition. "We'll get to all of these things in time," The Leftovers seems to say, "but loose ends don't need to be tied up in the middle of a season."

Kevin Garvey is now becoming explicitly aware of his 'blackouts' and this awareness may drive him further into either aggressive, self-defeating behavior or perhaps (and I'm hoping) into accepting the unknown - specifically what his father, Kevin Garvey Sr. has been pushing him towards. Or maybe those are both actually the same path and there is no way out for the Chief. In "Cairo", Kevin falls asleep in his bed only to wake up at an old cabin - apparently some place that Kevin used to frequent when he was younger - with Dean. He discovers Patti tied up inside and we learn shortly afterwards that (according to Dean) Kevin had gone out, gotten drunk, kidnapped Patti and brought her here. 

The always conflicted Kevin Garvey tries to do what he feels is the right thing and let Patti go, but everything (and everyone) works against him. Patti maintains that she will report everything that happened if she is set free (which would certainly ruin his professional career and strain all of his relationships), and Dean physically restrains Kevin and tells him to go back to sleep so that the real Kevin (the one that supposedly spearheaded all of this craziness in the first place) might reappear. There is a lot of information to digest within these scenes at the cabin. First, the painting of the deer in the cabin closely resembles one that is actually in the National Geographic issue so prominently featured in the last episode. Second, Dean seems aware of the fact that Kevin doesn't fully grasp the situations that he continually finds himself in (to what extent, I'm not quite sure), and we also see Dean talking to "voices" at one point, much like Kevin Garvey Sr. One new question that presents itself here then is are those voices the same or are Kevin's father and Dean working on opposite "sides"? The way the show presents this information lends credibility to a few theories that I've heard about Dean being guided by "evil" and Kevin Garvey Sr. by "good". Or is it the other way around? Third, Kevin finds himself in the woods full of damning evidence that he has been here many times before - his shirts are bloody and dirty, hanging from the trees surrounding a well-used campfire. We also see quite a few dirty, used work boots - does this mean that Kevin may be leading a group of people, perhaps the same group that stoned Gladys earlier this season? That guy needs some sleep, for sure.

Something that I touched on in a previous review was that Patti and Gladys shared an "I'm ready" moment at the beginning of the "Gladys" episode earlier this year before she was stoned to death. In "Cairo", Patti eventually tells Kevin that Gladys had agreed to being martyred (presumably in that scene) for the cause and that she knew that her time was up as well. It makes you wonder if Gladys is somehow connected to what seems to be happening to Kevin as well as Dean and Kevin Garvey Sr. Certainly she knows more than she lets on. Going back to the stoning, something that bothers me is that Patti is talking when she is near death - begging her assailants to stop - perhaps this is just a natural reaction to being inches away from a cruel and violent demise, but one would think she would remain stoic if she had readily agreed. More than likely, then, she didn't agree so readily or there was more at stake. After entering the cabin to find Patti gasping for air under a plastic bag (Dean's doing), Kevin makes a decision to sacrifice his career and possibly a lot more by cutting Patti's bonds to set her free. Patti will have none of this, as it seems she has already set much of this in motion (including a larger Guilty Remnant plot to dress up Loved Ones versions of the departed in their stolen clothing for some kind of shocking demonstration), and kills herself with a shard of glass from Dean and Kevin's earlier physical confrontation. 

Here are Patti's parting words from a William Yeats poem called He Bids His Beloved Be At Peace:

I HEAR the Shadowy Horses, their long manes a-shake,

Their hoofs heavy with tumult, their eyes glimmering white;

The North unfolds above them clinging, creeping night,

The East her hidden joy before the morning break,

The West weeps in pale dew and sighs passing away,

The South is pouring down roses of crimson fire:

O vanity of Sleep, Hope, Dream, endless Desire,

The Horses of Disaster plunge in the heavy clay:

Beloved, let your eyes half close, and your heart beat

Over my heart, and your hair fall over my breast,

Drowning love's lonely hour in deep twilight of rest,

And hiding their tossing manes and their tumultuous feet.

Yikes, Patti. Thanks for the parting poetry - this seems to be referring to the four horsemen of the apocalypse while also expressing a new awakening (via the sunrise). I suppose Patti is alluding to what is about to happen in Mapleton (and perhaps across all of the chapters of the Guilty Remnant). Whatever the Guilty Remnant actually does with the fabricated bodies of the departed, it will surely be the most impactful thing that they have accomplished and truly have a lasting effect. We are already seeing more and more distraught people joining up with the Guilty Remnant (including Jill, although I think her intentions may be different). They may need to buy some more real estate.

As for Kevin, how can he do the noble thing now? Even with the best of intentions, he is obviously leading some kind of double life and exposing all of that (or even part of it) to everyone would only result in punishment for him. From the very beginning we see that Kevin is a good force in this town, and one of the only people who seem to have their head on straight (besides what happens when he falls asleep and/or blacks out, obviously), so is it better for him to plunge straight into chaos or give himself up to be locked away like his old man? The events of the next episode leading up to the season finale will no doubt be filled with fire and brimstone, and personally I dig it. Although obviously about the struggle between good and evil, The Leftovers exists in a time and place where morality itself is skewed, so who knows and who is to say which is which?